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Critiques
The fur looks so soft, I just want to reach in a touch it. I can even see the whiskers, both on the nose and brows. You added so much detail into the cat, like the ears and ear fur.
As to critique this beautiful kitten. I'd say to add more shades of green in the eyes but keep the the shines, those are perfect. Also, add more lines in the shading to make it more realistic like fur.
I can't stop saying how beautiful it is ever now that I see it up close. But I need to end this critique sooo, THIS IS AWESOME
As I can tell and apparently evident from the final product of this deviation, Sterling has been studying feline anatomy and expression. The portraiture of a cat seen here is a masterful example of her toils and practices, depicting a face of pure domesticated ingenuity and covert emotion.
When it comes to technical skill in its own, the portrait displays a myriad of devices to enhance depth, aesthetic beauty, and focus. For example, the illumination and source of which coincide skillfully with one another, both creating a further realistic effect and depicting the virtual distance of different portions of the cat and background. This also brings these portions into a single entity, giving focus to the now-contrasting blacks and slight elements of color. Aside from the uninhabited usage of the background, there are two dominant colors in this piece: olive and salmon. The two don't go very well when it comes to cooking, but in this composition, they melt harmoniously with one another, crafting further into the element of character.
The entire aspect of the general head is stellar; the creation of the individual features, the ratios, anatomy, and immensely so for the eyes: all absolutely terrific portrayals. However, as the technique for the body goes, there is room to nudge towards improvement on the scale of quality. Fur seems, in all, a singular entity blending into that of the background inversely through the rest of the body. I would suggest, next time, adding deeper accents, further drags of two-pixel lines of fur, and simply a touch less uniformity. Although an immense amount of detail was put into the contrast between the white and the black, the blending technique used seems too consistent, yet against the natural feel of fur. Again, I suggest longer strokes of either the smudge brush or a brighter/darker two-pixel dashing of the screen/multiply layers, pending on the method used.
I definitely feel something from this portraiture, and it could be a wide array of things, but it is truly a step in the right direction to absolute perfection. The only real suggestion would be practice with faith in your ability, but with open mind. As a request, I would like to see this evident details portraying realism in future character presentations.
This truly is a marvel, one of hopefully many more to come.
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